During 1996 Autumn Tears burst onto the scene with his prducción 'Love Poems for Dying Children - Act I', the first part of a triglogía will mark the project as his magnum opus for those who like the genre, using elements of Dark Ambient, gothic atmospheres and ethereal songs merge together to form a production that for my personal taste is hard to match, perhaps rivaling with Elend, but distinctly less sinister and hopelessness.
By 1997 the band released 'Love Poems for Dying Children - Act II: Garden of Crystalline Dreams', the second part of the trilogy, this time we came across a disc with a less heavenly sound, despite maintaining ethereal nature, the female part of the vocals and that air has not found in church the first act of the trilogy, now are songs with a more operatic monologues shared with some shift of vocalist Erika T. Swinnich, who provides much of the atmosphere in this production with a piano that gains much of the role and voice of Ted Tringo.
In 1999 the band takes a break from the trilogy Love Poems for Dying Children and released an EP titled 'Absolution', an album which will hear a change in the sound of Autumn Tears, although takes some elements of its first two productions, this disc also used some elements linked to the Gothic Rock and Metal to use a drum machine and some other items with industrial dyes, as well the vocal style is more related the Gothic Metal unlike his previous productions, undoubtedly the most experimental album of the band.
Finally, in 2000 the band released their highly anticipated album 'Love Poems for Dying Children - Act III: Winter and the Broken Angel', the end of the trilogy that opened the race Autumn Tears, this album takes the sound ethereal first act with some highlights from the second part of the trilogy, is a very good album rather than a close, I find a collection of this theme have been playing in the first two acts of the trilogy, which is not bad and gives a touch relfexivo the production itself.
Four years have passed since Love Poems for Dying Children and in 2004 the band released "Eclipse" a production that at some point is musically richer with the addition of instruments like some flutes, clarinet, bass and classical guitar provides an excellent atmosphere, as well as hear percussion and other elements that are most acvercan Autumn Tears at Ambient Neoclassical even notice a medieval touch that reinforces the execution itself, one of the best productions that the project has recorded.
In 2007 comes the latest production of the project, an album entitled 'The Haunting', which intends to continue production in line drawn by their predecessors, with a greater role by instruments like the bass and flute, plus much of the implementation rests with the voice of new vocalist Laurie Ann Haus, who does a wonderful job with that sublime and voice which was granted, at times this album seems to be a soundtrack for the way it was mixed but certainly has the touch Autumn Tears.
speak I am surprised that many more projects like Dark Sanctuary, Pazuzu or Die Kinder Evas Verbannten since Autumn Tears has enough elements to be part of the elite of this genre so difficult to implement and understand, however I recommend widely this discography gentlemen.
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